Gates Foster ha perso sua figlia, Lucy, diciassette anni fa. Da allora non ha mai smesso di cercarla. All'improvviso, un nuovo scioccante sviluppo gli fornisce il primo indizio su quella drammatica vicenda in oltre un decennio. Questo potrebbe significare che finalmente Foster è sul punto di scoprire la terribile verità sulla sua sparizione. Nel frattempo, Mitzi Ives si è guadagnata una grande fama tra i rumoristi, gli artisti che, foggiando suoni sempre più coinvolgenti, conferiscono ai film di Hollywood la loro autenticità. Usando le stesse tecniche segrete di suo padre prima di lei, è diventata un'esperta nel settore dei suoni che si accompagnano alla violenza e all'orrore, e ora è ricercatissima nel mondo degli studios proprio per questa sua straordinaria capacità di creare urla tanto agghiaccianti da sembrare reali. Com'è inevitabile, ben presto Foster e Ives si troveranno in rotta di collisione e le conseguenze di questo fatto rischieranno di mettere a nudo tutta la terribile violenza che si nasconde sotto la facciata scintillante e apparentemente perfetta di Hollywood. "L'invenzione del suono" non è solo una storia sopra le righe, ma è anche una sorprendente e inquietante riflessione sulla mercificazione della sofferenza e sul pericoloso potere dell'arte, e ci regala un Palahniuk all'apice dei suoi sinistri e affascinanti poteri di stregone letterario
Politicians have brought the nation to the brink of a third world war in an effort to control the burgeoning population of young males. Working-class men dream of burying the elites. Professors propound theories that offer students only the bleakest future. Into this dyspeptic time, a blue-black book is launched carrying such wisdom as: Imagine there's no God; there is no Heaven or Hell; there is only your son and his son and his son and the world you leave for them -- The weak want you to forgo your destiny just as they've shirked theirs -- A smile is your best bulletproof vest. Are the directives in the Talbott book the secrets to surviving? Or are they something else entirely? When Adjustment Day arrives, it fearlessly makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche.
"Stories you'll never forget--just try--from literature's favorite transgressive author. Representing work that spans several years, Make Something Up is a compilation of 21 stories and one novella (some previously published, some not) that will disturb and delight. The absurdity of both life and death are on full display; in "Zombies," the best and brightest of a high school prep school become tragically addicted to the latest drug craze: electric shocks from cardiac defibrillators. In "Knock, Knock," a son hopes to tell one last off-color joke to a father in his final moments, while in "Tunnel of Love," a massage therapist runs the curious practice of providing 'relief' to dying clients. And in "Excursion," fans will be thrilled to find to see a side of Tyler Durden never seen before in a precusor story to Fight Club. Funny, caustic, bizarre, poignant; these stories represent everything readers have come to love and expect from Chuck Palahniuk"--
Penny Harrigan is a low-level associate in a big Manhattan law firm with an apartment in Queens and no love life at all. So it comes as a great shock when she finds herself invited to dinner by one C. Linus Maxwell, aka "Climax-Well," a software mega-billionaire and lover of the most gorgeous and accomplished women on earth. After dining at Manhattan's most exclusive restaurant, he whisks Penny off to a hotel suite in Paris, where he proceeds, notebook in hand, to bring her to previously undreamed-of heights of orgasmic pleasure for days on end. What's not to like? This: Penny discovers that she is a test subject for the final development of a line of sex toys to be marketed in a nationwide chain of boutiques called Beautiful You. So potent and effective are these devices that women by the millions line up outside the stores on opening day and then lock themselves in their room with them and stop coming out. Except for batteries. Maxwell's plan for erotically-enabled world domination must be stopped. But how?
"Are you there, Satan? It's me, Madison," declares the whip-tongued thirteen-year-old narrator of *Damned*. The daughter of a narcissistic film star and a billionaire, Madison is abandoned at her Swiss boarding school over Christmas, while her parents are off touting their new projects and adopting more orphans. She dies over the holiday of a marijuana overdose--and the next thing she knows, she's in Hell. Madison shares her cell with a motley crew of young sinners that is almost too good to be true: a cheerleader, a jock, a nerd, and a punk rocker, united by fate to form the six-feet-under version of everyone's favorite detention movie.
Soaked, nay, marinated in the world of vintage Hollywood, Tell-All is a Sunset Boulevard–inflected homage to Old Hollywood when Bette Davis and Joan Crawford ruled the roost; a veritable Tourette’s syndrome of rat-tat-tat name-dropping, from the A-list to the Z-list; and a merciless send-up of Lillian Hellman’s habit of butchering the truth that will have Mary McCarthy cheering from the beyond.
Our Thelma Ritter–ish narrator is Hazie Coogan, who for decades has tended to the outsized needs of Katherine “Miss Kathie” Kenton—veteran of multiple marriages, career comebacks, and cosmetic surgeries. But danger arrives with gentleman caller Webster Carlton Westward III, who worms his way into Miss Kathie’s heart (and boudoir). Hazie discovers that this bounder has already written a celebrity tell-all memoir foretelling Miss Kathie’s death in a forthcoming Lillian Hellman–penned musical extravaganza; as the body count mounts, Hazie must execute a plan to save Katherine Kenton for her fans—and for posterity.
Tell-All is funny, subversive, and fascinatingly clever. It’s wild, it’s wicked, it’s bold-faced—it’s vintage Chuck.
**From the master of literary mayhem and provocation, a full-frontal Triple X novel that goes where no American work of fiction has gone before**
Cassie Wright, porn priestess, intends to cap her legendary career by breaking the world record for serial fornication. On camera. With six hundred men. Snuff unfolds from the perspectives of Mr. 72, Mr. 137, and Mr. 600, who await their turn on camera in a very crowded green room. This wild, lethally funny, and thoroughly researched novel brings the huge yet underacknowledged presence of pornography in contemporary life into the realm of literary fiction at last. Who else but Chuck Palahniuk would dare do such a thing? Who else could do it so well, so unflinchingly, and with such an incendiary (you might say) climax?
